Frank Verderosa
Casting • Mixing • Sound Design • Radio

I will say with certainty that there is nothing better than in-person talent and clients. Sonically. Creatively. Socially. Definitively.

Headlines today report the trial of those accused of killing Jam Master Jay in 2002. It reminded me of the time we spent working together.

For voice actors who do the kind of work that needs to deliver finished audio, Izotope's RX Elements bundle helps get the job done!

MIcrophones will sometimes include high-pass filters and a PAD. But just because they're there- should you engage them?

We're conditioned to believe that updates are upgrades- but that's not always the case! For audio recording, an update can mean down-time!

The difference in sound quality having an actor in a proper studio after a couple of years of forced remote recording is dramatic.

In this post we’ll look at P-pops and how to mitigate them! With some practice and some vigilance, you may never pop another P!

For nearly all voice actors working from home, noise is a big problem! Here are some helpful solutions to common problems.

In a previous blog post about the benefits of flipping your large diaphragm condenser microphones upside down for recording, I discussed...

People are often confused by the terms interface and preamp, so I thought I would take a moment to explain the two. An interface (Focusrite Scarlett Solo, Apollo Twin, etc) converts your audio signal to a digital stream for your computer. It also converts the computer audio back to your headphones (or speakers) so you can hear it. A preamp is designed to amplify the relatively low signal from your microphone into something usable. It's that simple! At the studio I work for (